Catherine Maria Fanshawe
Author Profiles

About the Author:

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Catherine Maria Fanshawe
Surrey, England

Catherine Maria Fanshawe was born at Shabden in Chipstead, Surrey, in 1765. She was the daughter of John Fanshawe (1738–1816), a Surrey squire, and his wife Penelope (née Dredge). Fanshawe’s father held a post in the household of King George III. After the father’s death in 1816, Fanshawe and her two sisters were co-heirs. They lived at 15 Berkeley Square, London, and at Midhurst House, Richmond, Surrey, but also visited Italy due to their poor health. Fanshawe wrote clever occasional verse after the Romantic school. Some of her poems were printed in publications by Joanna Baillie and Mary Russell Mitford in 1823 and 1859, then together in 1865 and 1876. Mitford described her as “admirable as a letter-writer, as a reader of Shakespeare, and as a designer in almost every style.” “…She mimics political voices she disagrees with.” The diary she kept has not been found. Her “Fragment in Imitation of Wordsworth” appears in the Oxford Book of Parodies (edited by John Gross). Walter Scott admired her poetry as “quite beautiful”. He also related that Catherine and her sisters were the first publishers of the Memoirs of Ann, Lady Fanshawe (1625–1680), which cover her life up to 1672 and were completed in 1676. These appeared in 1829.Fanshawe died after a long illness at Putney Heath, then in Surrey, on 17 April 1834. (From Wikipedia)

Bookshelf
Olga Stein cover
by Olga Stein

A collection of poems by Olga Stein.

Naza image
by Naza Semoniff

This isn’t self-help. It’s not a parody either. It’s something stranger and smarter: a satirical, uncategorizable book about belief, leadership, algorithmic power, and the performance of divinity in modern life.

Version 1.0.0
by Nina Kossman

 

A new book of poems by Nina Kossman. “When the mythological and personal meet, something transforms for this reader…” -Ilya Kaminsky

book one
by Sergii Mazurkevych

From the myths of the ancient Near East to the secluded palaces of forgotten empires, Harems: Origins and Eunuchs uncovers how the idea of the harem first emerged — not only as a symbol of power and beauty, but also as a reflection of human desire, faith, and control. With the precision of a historian and the sensitivity of a storyteller, Sergii Mazurkevych traces the hidden world of eunuchs, devotion, and intrigue that shaped entire civilizations. A thoughtful and visually rich journey into one of history’s most secret institutions.

Videos
Play Video
EastWest Literary Forum Bilingual Poetry & Prose Reading. July 13, 2025.
Length: 2 hrs. 08 min