Fyodor Letunovsky was born in Moscow. In 2000 he graduated from the Gerasimov Institute of Cinematography with a major in screenwriting. He has written screenplays for various feature films and series and participated in exhibitions at the Moscow Museum of Modern Art. He works at the Museum of the History of the GULAG in Moscow.
When Clea returns to London with her new Russian husband, she is surprised to see him become even more eccentric.
A haunting dystopia some readers have called “the new 1984.” In a society where memory is rewritten and resistance is pre-approved, freedom isn’t restricted; it’s redefined. As systems evolve beyond human control and choice becomes a simulation, true defiance means refusing the script, even when the system already knows you will.
“13 short pieces…pungently convey the effects of growing up under a totalitarian regime.” .—Publishers Weekly
Original poetry by Nina Kossman, accompanied by a selection of poems by Marina Tsvetaeva, translated from Russian by Kossman. “The sea is a postcard,” writes Nina Kossman. There is both something elemental in this vision and—iron-tough.”
—Ilya Kaminsky