Born in Moscow, Tatiana is a poet, essayist, literary critic, translator, editor, graphic artist, and book designer. She has authored eight books of poetry.
She has a degree in journalism from the Moscow State University;she did her graduate work at the Philological Faculty of Moscow State University, receiving her PhD in philology in 1997. She is a board member of Sreda (Thin Media), the editorial board of the international journal of literature and art; Moscow Union of Writers (2002), Moscow Union of Writers (2017); Creative Union of Artists of Russia (1996), etc. Her work has been published in Russian and foreign periodicals, and translated into English, Armenian, Bulgarian, Italian, Nepali, Kyrgyz, and Japanese.
This collection of personal essays by a bi-national Russian/U.S. author offers glimpses into many things Soviet and post-Soviet: the sacred, the profane, the mundane, the little-discussed and the often-overlooked. What was a Soviet school dance like? Did communists go to church? Did communists listen to Donna Summer? If you want to find out, read on!
“Cold War Casual” is a collection of transcribed oral testimony and interviews translated from Russian into English and from English into Russian that delve into the effect of the events and the government propaganda of the Cold War era on regular citizens of countries on both sides of the Iron Curtain.
Julia Wiener was born in the USSR a few years before the Second World War; her youth was spent during the “Thaw” period, and her maturity coincided with the years of “Soviet stagnation”, which, in her case, ended with her emigration to Israel in the early 1970s. Her wartime childhood, her Komsomol-student youth, her subsequent disillusionment, her meetings with well-known writers (Andrei Platonov, Victor Nekrasov, etc.) are described in a humorous style and colorful detail. Julia brings to life colorful characters – from her Moscow communal apartment neighbors to a hippie London lord, or an Arab family, headed by a devotee of classical Russian literature. No less diverse are the landscapes against which the events unfold: the steppes of Kazakhstan, the Garden of Gethsemane, New York, Amsterdam, London.