Veronica Forrest-Thomson
Author Profiles

About the Author:

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Veronica Forrest-Thomson
Glasgow, Scotland

Veronica Elizabeth Marian Forrest-Thomson (28 November 1947 – 26 April 1975) was a Scottish poet and a critical theorist. Veronica was born in Malaya to a rubber planter, John Forrest Thomson, and his wife, Jean, but grew up in Glasgow, Scotland. She opted to hyphenate her surname, having been published under the name Veronica Forrest initially. She studied at the University of Liverpool (BA, 1968) and Girton College, Cambridge (PhD, 1971). Forrest-Thomson later taught at the universities of Leicester and Birmingham. Forrest-Thomson’s critical study “Poetic Artifice: A Theory of Twentieth-Century Poetry” was published by Manchester University Press in 1978. It was reissued in 2016 by Shearsman Press with notes and an introduction by Gareth Farmer. Her poetry collections included “Identi-kit” (1967), the award-winning “Language-Games” (1971), and the posthumous “On the Periphery” (1976). Subsequent gatherings of her work include Collected Poems and Translations (1990) and Selected Poems (1999). A further Collected Poems, minus the translations, was published in 2008 by Shearsman Books with Allardyce Books.

Bookshelf
Gritsman
by Andrey Gritsman

“A book should serve as the ax for the frozen sea within us.” (Kafka)

A new collection of poems by Andrey Gritsman. In English.

Wayne .Muse-in-the-Wells.-THIS-ONE.1
by Wayne Pernu

The new poetry collection from Wayne Pernu, one of the finest poets writing in English today. This is one of those rare collections that calls to mind the great masters—Donne, Keats, Yeats.

11. Iossel book
by Mikhail Iossel

Comedy and tragedy collide in stories of family life in Soviet Russia and the complexities of the immigrant experience

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by Boris Khersonsky, Ludmila Khersonsky

Boris Khersonsky and Ludmila Khersonsky write poetry that speaks to the crisis of our time, when refugees run from bombardments, and nonstop propaganda flows from TV. The setting is Ukraine at the start of the twenty-first century, but it is eerily recognizable anywhere.

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