Olga Balla
Author Profiles

About the Author:

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Olga Balla
Moscow, Russia

Olga Balla is a Russian literary critic and essayist. She edits the Philosophy and Cultural Studies section of Znanie—Sila (a Russian magazine) as well as the criticism section of Znamya (a major Russian literary magazine). She has authored several books on culture and literature. Her books include: Notes on the Unwritten (USA, Franc-Tireur, 2010), Exercises in Being (Совпадение, 2016), Dreamtime/Время сновидений (Совпадение, 2018), Дикоросль (Hanover: Seven Arts, 2020), Дикоросль – 2 (Hanover: Семь искусств, 2021). Her awards and honors include: three-time winner of Znanie-Sila magazine; winner of the 2010 Новый мир award in the Criticism category, winner of the 2018 “Author of the Year” contest of the Еврейские записки online portal and Семь искусств magazine, winner of the 2019 Russian Literary and Critical Prize Неистовый Виссарион/Unbridled Vissarion, winner of the Independent newspaper NG-EXLIBRIS literary award in the Concepts category, 2021.

Bookshelf
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by Zinovy Zinik

When Clea returns to London with her new Russian husband, she is surprised to see him become even more eccentric.

Naza s book
by Naza Semoniff

A haunting dystopia some readers have called “the new 1984.” In a society where memory is rewritten and resistance is pre-approved, freedom isn’t restricted; it’s redefined. As systems evolve beyond human control and choice becomes a simulation, true defiance means refusing the script, even when the system already knows you will.

behind_the_border-cover
by Nina Kossman

“13 short pieces…pungently convey the effects of growing up under a totalitarian regime.”                       .—Publishers Weekly

Other Shepherds: Poems with Translations from Marina Tsvetaeva by Nina Kossman
by Nina Kossman

Original poetry by Nina Kossman, accompanied by a selection of poems by Marina Tsvetaeva, translated from Russian by Kossman. “The sea is a postcard,” writes Nina Kossman. There is both something elemental in this vision and—iron-tough.”
—Ilya Kaminsky

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