Is it in our genome
That something always goes wrong?
We were building the Third Rome –
We built a Second Pyongyang.
We moved forward and never strayed,
We were proudly standing guard.
We were marching to a parade
But ended up at a graveyard.
We’re scratching our heads – oh well,
That’s the fate into which we were born…
And what about Gabriel?
He’s gonna blow his horn.
Что-то не то творим –
В схеме, видать, изъян.
Строили Третий Рим –
Вышел второй Пхеньян.
Дружно смыкали ряд.
Высились в полный рост.
Двигались на парад –
Прибыли на погост.
Морщим теперь чело.
Думаем: не судьба…
А Гавриил чего?
Дело его – труба.
Born on May 25, 1961, in Omsk. Studied acting, worked in theaters in Khabarovsk and Chelyabinsk. In 2005, Sergey moved to Moscow. He is well known as a scriptwriter and playwright. His plays are produced in Moscow’s leading theaters. He has been writing poetry since the age of 15.
Dmitri Manin is a physicist, programmer, and translator of poetry. His translations from English and French into Russian have appeared in several book collections. His latest work is a complete translation of Ted Hughes’ “Crow” (Jaromír Hladík Press, 2020) and Allen Ginsberg’s “The Howl, Kaddish and Other Poems” (Podpisnie Izdaniya, 2021). Dmitri’s Russian-to-English translations have been published in journals (Cardinal Points, Delos, The Café Review, Metamorphoses etc) and in Maria Stepanova’s “The Voice Over” (CUP, 2021). In 2017, his translation of a poem by Stepanova won the Compass Award competition.
A book of poems in Russian by Victor Enyutin (San Francisco, 1983). Victor Enyutin is a Russian writer, poet, and sociologist who emigrated to the US from the Soviet Union in 1975.
This collection of personal essays by a bi-national Russian/U.S. author offers glimpses into many things Soviet and post-Soviet: the sacred, the profane, the mundane, the little-discussed and the often-overlooked. What was a Soviet school dance like? Did communists go to church? Did communists listen to Donna Summer? If you want to find out, read on!
“Cold War Casual” is a collection of transcribed oral testimony and interviews translated from Russian into English and from English into Russian that delve into the effect of the events and the government propaganda of the Cold War era on regular citizens of countries on both sides of the Iron Curtain.
Julia Wiener was born in the USSR a few years before the Second World War; her youth was spent during the “Thaw” period, and her maturity coincided with the years of “Soviet stagnation”, which, in her case, ended with her emigration to Israel in the early 1970s. Her wartime childhood, her Komsomol-student youth, her subsequent disillusionment, her meetings with well-known writers (Andrei Platonov, Victor Nekrasov, etc.) are described in a humorous style and colorful detail. Julia brings to life colorful characters – from her Moscow communal apartment neighbors to a hippie London lord, or an Arab family, headed by a devotee of classical Russian literature. No less diverse are the landscapes against which the events unfold: the steppes of Kazakhstan, the Garden of Gethsemane, New York, Amsterdam, London.
Julia Wiener’s novels focus on those moments when illusory human existence collapses in the face of true life, be it spiritual purity, love, old age, or death.