Most of Melita’s family perished in the Holocaust. She began to exhibit her work in 1991, when her family was once again destroyed by war, this time in ex-Yugoslavia. To survive reality, she created another world for herself where the story of her family could continue. Her paintings represent chapters of the story of her life. The painting that describes it best is ‘The Dybbuk” inspired by the play “Between the Two Worlds” by S. Ansky, which tells a story of fated love. Dybbuk, a wandering soul of a dead person who could enter and possess the body of a living person, was a popular figure in Jewish folklore in Central and Eastern Europe.
Melita Kraus was born in a non-observant Jewish family in Croatia in 1954. Most of her family perished in the Holocaust. While she was growing up, her family didn’t practice any Jewish rituals, nor was there any talk about them. Today, she uses her art as a way of honoring her family and all the victims of the Holocaust.
This excellent anthology, compiled and edited by Julia Nemirovskaya, showcases poems by Russian (and Russian-speaking) poets who express their absolute rejection of Russia’s war against Ukraine.
“Nina Kossman is equally at home in all genres of short prose: diary entries, mystical novellas, letters, autobiographical notes, and psychological sketches. She has good taste, a sober view of herself and others, and an innate gift for holding the reader’s attention.”
— Dmitry Bykov
This collection focuses on the war between Russia and Ukraine as seen by Russophone poets from all over the world.
Launched in 2012, “Four Centuries” is an international electronic magazine of Russian poetry in translation.
