Menu
Menu
Menu
ЗАБВЕНИЕ
Кто-то чертит на черном песке чудные узоры,
Пенье сирен заместилось сплетеньем цветов,
Лотос-цветок на песке зацветает, и шепчут суфлеры:
“Засыпай, спи спокойно, во сне позабудешь свой кров”.
День наступит, и я заживу смеясь, по другому,
День наступал, но слова приносила мне мгла:
“Ты непохож на Улисса, хоть ты и уехал из дому,
И давно Пенелопа покров погребальный спряла”.
OBLIVION
Someone is drawing wondrous patterns on black sand,
The singing of sirens is replaced with a mesh of flowers,
Lotus blooms in the sand, and prompters whisper to me:
“Go to sleep, sleep peacefully, in sleep you’ll forget your home.”
The day will break, and perhaps I shall live again, laughing.
The day came, but the dark mist brought me these words:
“You are not Ulysses at all, although you left your home,
And Penelope has woven the burial shroud for you.”
Translated from Russian by Nina Kossman
Michael Kossman was a poet, prose writer, translator of poetry from English and German, and literary critic. He was born in Moscow, where he graduated from high school and began his university studies. He emigrated from the USSR in 1972. He spent one year in Israel. In 1973, he arrived in the US, first settling in Cleveland where his father had a college teaching job, then in New York. He graduated from Columbia University with a master’s degree in Russian literature. He wrote amazing poems and short stories but was indifferent to publication and refused to publish his work. Unfortunately, most of his best poems and short stories are lost, as he did not want to keep them. He translated poems by W.B. Yeats (from English) and Hermann Hesse (from German) into Russian. He authored studies on Bulgakov’s “The Master and Margarita” and on Zamyatin’s unfinished novel “The Scourge of God”. He was not only a unique poet and short story writer, but also a thinker, and his thinking often verged on the prophetic. He saw life and death so clearly, that in some of his poems written many years ago, he predicted his own death. He passed away on the same night and at the same time as his father, Jan. 22, 2010. After his passing, his sister found an envelope with a few of his poems and arranged for their publication.
Nina Kossman’s nine books include three books of poems, two books of short stories, an anthology she edited for Oxford University Press, and a novel. Her work has been translated from English into French, Spanish, Greek, Japanese, Hebrew, Persian, Chinese, Russian, Italian, Danish, and Dutch. Her Russian work was published in Russian periodicals in and outside of Russia. She is a recipient of an NEA fellowship, UNESCO/PEN Short Story award, grants from the Onassis Foundation, the Foundation for Hellenic Culture, etc. https://en.wikipedia.org/wiki/Nina_Kossman
This collection, compiled, translated, and edited by poet and scholar Ian Probstein, provides Anglophone audiences with a powerful selection of Mandelstam’s most beloved and haunting poems.
Four teenagers grow inseparable in the last days of the Soviet Union—but not all of them will live to see the new world arrive in this powerful debut novel, loosely based on Anton Chekhov’s The Cherry Orchard.
Every character in these twenty-two interlinked stories is an immigrant from a place real or imaginary. (Magic realism/immigrant fiction.)
A book of poems in Russian by Victor Enyutin (San Francisco, 1983). Victor Enyutin is a Russian writer, poet, and sociologist who emigrated to the US from the Soviet Union in 1975.
This collection of personal essays by a bi-national Russian/U.S. author offers glimpses into many things Soviet and post-Soviet: the sacred, the profane, the mundane, the little-discussed and the often-overlooked. What was a Soviet school dance like? Did communists go to church? Did communists listen to Donna Summer? If you want to find out, read on!
